Adds a RAW row to the COLOR menu. With it selected and the camera set to
CinemaDNG 12-bit, the screen shows the RAW the camera is about to record, not a finished
picture. The recorded RAW is not changed. Version v0.2.1test — a test build.
Display curves after Ole Berek’s Rec709 LUT guide.
在 COLOR 選單加上一列 RAW。選到它、而且錄影格式是 CinemaDNG 12-bit 時,
螢幕顯示的是即將錄下的 RAW,而不是修飾過的畫面。錄下的 RAW 不會被改動。
版本 v0.2.1test —— 這是測試版。
顯示曲線依據 Ole Berek 的 Rec709 LUT 指南。
Thanks致謝
SIGMA fp Rec709 LUT & Operations Guide v3 · Ole Berek · 2023-06-28
RAW-View's display curves are built on this guide. Both curves use its latitude figures — how many stops the fp holds above and below 18% grey at each ISO (p. 2) — and the GA curve is its “LA - SIGMA Rec709” curve (p. 4), digitised. Without his careful work this view would have had to guess. Any mistake in how we applied it is ours, not the guide's.
RAW-View 的顯示曲線建立在這份指南上。兩條曲線都用它的寬容度數據 —— fp 在每個 ISO 於 18% 中灰上下各有幾檔(第 2 頁);GA 曲線則是它的 「LA - SIGMA Rec709」曲線(第 4 頁)數位化而來。沒有他細心的整理,這個畫面就只能用猜的。 我們套用時若有任何錯誤,責任在我們,不在這份指南。
SIGMA fp (not fp L) on firmware Ver.5.02 exactly. How to check.
SIGMA fp(不是 fp L),韌體必須剛好是 Ver.5.02。怎麼確認。
Open fpSup-Merge with fpSup-RAW-View ticked. It can go on the same card as the shell, the gyro and open gate (OG3K or OG2K). Tick what else you want, then download the zip.
打開已勾好 fpSup-RAW-View 的 fpSup-Merge。 它可以和 shell、陀螺儀、open gate(OG3K 或 OG2K)放在同一張卡上。勾好其他想要的,然後下載 zip。
Fast Start 2 is an optional setting on that page. See How to use fpSup.
Fast Start 2 是那個頁面上的選項。見 fpSup 怎麼用。
Unzip. Copy AutoRun.txt, fpSup.BIN and the
FPSUPUI folder to the top level of the SD card the camera boots from.
Details.
解壓縮。把 AutoRun.txt、fpSup.BIN 和
FPSUPUI 資料夾複製到相機開機用的 SD 卡最上層。
詳細說明。
Start the camera with the USB cable unplugged. The fpSup logo appears in the top left and four boxes fill one by one. All four white means it loaded; the camera's own screen comes back about two seconds later. If the boxes stop filling, the load stopped there.
不插 USB 線開機。左上角出現 fpSup 標誌,四個格子一格一格填滿。 四格全白就是載入完成,約兩秒後回到相機原本的畫面。格子停在中途不再填, 就是載入停在那裡。
Recording format CinemaDNG, 12-bit. Then press COLOR and pick row 17, RAW.
錄影格式選 CinemaDNG 12-bit。然後按 COLOR,選第 17 列 RAW。
| setting設定 | what happens結果 |
|---|---|
| CinemaDNG 12-bitCinemaDNG 12-bit | Supported. This is what the screen is made to match.支援。螢幕就是照它來對的。 |
| CinemaDNG 8/10-bit, MOVCinemaDNG 8/10-bit、MOV | Not supported.不支援。 |
| UHDUHD | UHD records 8-bit CinemaDNG, so the screen jumps about one stop brighter when recording starts.UHD 錄的是 8-bit CinemaDNG, 所以開始錄影時畫面會亮約一檔。 |
| Firmware韌體 | Ver.5.02 only.僅限 Ver.5.02。 |
Press COLOR and pick row 17, RAW. In RAW:
按 COLOR,選第 17 列 RAW。在 RAW 下:
The box on the right of the RAW row shows SA or GA. Change it to change the curve. Both use the latitude figures of SIGMA fp Rec709 LUT & Operations Guide v3 (Ole Berek).
RAW 列右側的框顯示 SA 或 GA,改它就是換曲線。 兩者都用 SIGMA fp Rec709 LUT & Operations Guide v3(Ole Berek)的寬容度數據。
| SA | Latitude, Stop Aligned. The fp's latitude at the current ISO (stops above and below 18% grey) spread over the screen with Rec.709's own stop spacing.Latitude — Stop Aligned。 fp 在目前 ISO 的寬容度(中灰以上、以下幾檔),依 Rec.709 本身的檔距鋪在螢幕上。 |
| GA | Latitude, Gray Aligned. The “LA - SIGMA Rec709” curves of that guide.Latitude — Gray Aligned。那份指南的「LA - SIGMA Rec709」曲線。 |
Press AEL. In RAW only two settings are used, each 0 or +0.2. Sharpness is held at 0.
按 AEL。RAW 下只用兩項,各為 0 或 +0.2。清晰度固定為 0。
| setting設定 | screen螢幕 | recorded CinemaDNG錄下的 CinemaDNG |
|---|---|---|
| Contrast 0對比度 0 | All 12.5 stops fit on the screen. Live view resolves only about 10.9 stops below clipping, so the bottom ~1.6 stops show as fine noise dots: dots mean there is detail, pure black means crushed.12.5 檔全部放進螢幕。預覽在削波以下只分得出約 10.9 檔, 所以最底約 1.6 檔以細小噪點出現:有點就是有細節,純黑才是壓死。 | Not affected不受影響 |
| Contrast +0.2對比度 +0.2 | Only the 10.9 stops live view resolves. The bottom ~1.6 stops go black and the rest get more room.只放預覽分得出的 10.9 檔。最底約 1.6 檔變黑,其餘檔位更寬。 | Not affected不受影響 |
| Saturation 0 (default)飽和度 0(預設) | No colour calibration on screen.螢幕不套色彩校正。 | Exactly the same as a normal recording與一般錄下的檔案完全相同 |
| Saturation +0.2飽和度 +0.2 | The camera's own calibration matrix (the one the other colour modes use) is applied.套用相機自己的校色矩陣(其他色彩模式用的那一組)。 | The same matrix is written into the ColorMatrix tags, so Resolve shows the colours you monitored. The raw pixels are not changed.同一組寫進 ColorMatrix 標籤, Resolve 顯示的顏色與監看一致。RAW 像素本身不動。 |
RAW is remembered across a power-off, together with SA/GA, Contrast and Saturation. Start the camera with the card in and it comes back in RAW as you left it.
關機後會記住 RAW,連同 SA/GA、對比度、飽和度。插著卡開機,就會回到上次的 RAW 設定。
Why the curves look the way they do, and what the stops mean: how it works.
曲線為什麼長這樣、每一檔代表什麼: 原理說明。
| tested on the camera已在相機上測過 | not tested沒測過 |
|---|---|
| The same RAW-View code (byte for byte) ran on a development card on 2026-09-27: RAW with SA/GA, Contrast and Saturation came back after a power-off.同一份 RAW-View 程式碼(逐位元組相同) 2026-09-27 在開發卡上跑過:RAW 連同 SA/GA、對比度、飽和度在關機後回來了。 | The two release cards themselves (ordinary and Fast Start 2) have not been booted.兩張發布卡本身(一般卡與 Fast Start 2)還沒開機測過。 |
| Starting the camera without the card showed Standard, with no fault.不插卡開機顯示 Standard,沒有故障。 | MOV and 8/10-bit CinemaDNG: not supported, not made to match.MOV 與 8/10-bit CinemaDNG:不支援,沒有對它們調。 |
| Merged with shell + gyro + OG3K (Fast Start 2): it loaded and RAW was active.與 shell + 陀螺儀 + OG3K 合併(Fast Start 2):可以載入,RAW 有生效。 | Other combinations in fpSup-Merge.fpSup-Merge 裡的其他組合。 |
Press COLOR and pick any stock colour mode (OFF, Standard, …).
按 COLOR,選任一個原廠色彩模式(OFF、Standard……)。
Delete the files (or take the card out) and switch the camera off. The card writes back every firmware word it changed as the camera powers off. If the camera froze, take the battery out (USB unplugged). More on removing.
刪掉檔案(或拔卡),然後關機。卡片改過的每個韌體字會在關機時寫回。 如果相機凍結了,把電池拿出來(不插 USB 線)。移除的詳細說明。
| what happens發生什麼 | what to do怎麼辦 |
|---|---|
| No RAW row (17) in the COLOR menuCOLOR 選單沒有第 17 列 RAW | The card did not load. Check that all four boxes turned white at start-up; see general problems.卡沒有載入。 確認開機時四格都變白;見一般問題。 |
| RAW is selected but the screen looks like a normal picture選了 RAW,但畫面看起來跟平常一樣 | Set the recording format to CinemaDNG 12-bit. MOV and 8/10-bit are not supported.把錄影格式設成 CinemaDNG 12-bit。MOV 與 8/10-bit 不支援。 |
| In UHD the screen gets about one stop brighter when recording startsUHD 下開始錄影時畫面亮了約一檔 | Expected: UHD records 8-bit CinemaDNG. Monitor in FHD 12-bit.正常:UHD 錄的是 8-bit CinemaDNG。請用 FHD 12-bit 監看。 |
| The bottom of the picture is full of fine dots畫面暗部都是細小噪點 | Contrast 0 shows the bottom ~1.6 stops as dots: that is detail. Set Contrast +0.2 to show them black.對比度 0 時最底約 1.6 檔以噪點顯示:那是細節。 要讓它們變黑,把對比度設為 +0.2。 |
| Colours in Resolve differ from what you monitoredResolve 裡的顏色跟監看不同 | With Saturation 0 the screen has no colour calibration. Use Saturation +0.2 to monitor with the camera's matrix and write it into the DNG.飽和度 0 時螢幕不套色彩校正。 用飽和度 +0.2,監看時套相機的矩陣、也寫進 DNG。 |
| Choosing OFF in Quick Set does nothing在 Quick Set 選 OFF 沒反應 | Quick Set OFF does not leave RAW. Use the COLOR menu.Quick Set 的 OFF 不會離開 RAW。請用 COLOR 選單。 |
| RAW was not there after starting the camera開機後 RAW 沒有回來 | It is saved only at a normal power-off, and not while C1–C3 is active. A battery pull loses the last change. Select RAW again.只在正常關機時存, 使用 C1–C3 時不存;拔電池會失去最後一次的改動。再選一次 RAW。 |
| Started without the card and the camera shows Standard沒插卡開機,相機顯示 Standard | RAW was still selected. Pick any colour mode in the COLOR menu, or put the card back — Remove.RAW 還選著。在 COLOR 選單選任一個色彩模式, 或把卡插回去 —— 見移除。 |
| Auto exposure is darker than usual自動曝光比平常暗 | Expected in scenes with bright highlights (up to 1–2 EV): live view now has 12-bit's highlight room.有亮部的場景下是正常的(最多 1~2 EV): 即時影像現在有 12-bit 的高光空間。 |
| The camera does not respond相機沒反應 | Take the battery out (USB unplugged). Bring what you saw to the Discord.把電池拿出來(不插 USB 線)。 把你看到的情況帶到 Discord。 |